Dan the Movie Man

Month

August 2010

25 posts

Emmy's

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Well the 62nd Annual Primetime Emmy Awards are playing in America right now (I can watch a delayed coverage tonight on Prime at 9:35) and for the first time since I’v gotten into television and have followed this award show since 2004 (when Arrested Development won Best Comedy Series) I’m not really stoked. What with 30 Rock’s Fourth Season being mediocre, and fuckin Glee dominating the nominations how could I.

After three seasons of comedy gold, winning three straight times in a row, and each time deserving it, 30 Rock’s fourth season was quite disappointing, with a good episode here and there, but then a mediocre or really silly and too bizarre one in between. I don’t think it deserves to win a fourth time.

Curb Your Enthusiasm’s season seven was another home run, being nominated best comedy series and lead for Larry David, but unfortunatly David was robbed, not by the likes of Alec Baldwin, nor Steve Carell or Tony Shaloub, but by mother fucking Jim Parsons for The Big Bang Theory. Come on. This doesn’t boad well for it’s chances for comedy series, which I never thought it would get anyway.

The Office Season Six was one of the show’s funniest seasons yet, but that show has had it’s glory in the sun and it probably will get nothing tonight.

How I Met Your Mother’s Fifth Season I’v only just started to watch as it’s being shown on C4 now, and while it looks funny, it doesn’t look like it’s gonna be as good as season four. Neill Patrick Harris has been nominated once more for Best Supporting Actor as Barney Stinson.

  The only other shows I like but haven’t watched in awhile but need to get back into are Dexter, and Monk and should get into Breaking Bad. If these shows win anything I’d be happy, but if Glee wins everything including comedy series I’ll be pissed. Just give Jane Lynch best supporting actress and be done with it. But if Modern Family wins over it Itll be better. I’v seen a few episodes or so and it looks pretty good.

I’ll know in a few hours or less…

Aug 29, 20101 note
Hey Dan its Reuben. :)

Hey man. What do you think of the blog?

Aug 26, 2010
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Aug 24, 2010
Re: Jack's Post on my Bateman list

I hadn’t put up the last two (until now) And ha ha, definetly not to Teen Wolf Too. That very nearly ended his career, that was back when he wasn’t cool. You can’t take over a series from Michael J. Fox (even though he didn’t want to reprise the role)

Aug 23, 2010
The 10 Best Jason Bateman Roles

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Last Friday in the US, my favourite actor currently working Jason Bateman, finally got his shot at a big budget Hollywood starrer, but in a Jennifer Aniston chick flick called ‘The Switch’, which opened at number 8 and is officially a flop. Way to go buddy (sigh). I thought it would be best to make my first of many top 10 lists on this site be in honour of the diverse, scene stealing performances that this man acheived over the last decade before ‘The Switch’ thanks to one special show. This man manged to sneak his way through like a dozen films, appear with such stars as Vince Vaugn, Ben Afleck, Will Smith, Charlize Theron, Jennifer Garner, Jamie Foxx, and George Clooney. Although he mostly was the comedic relief, in some he showed some depth and a little dramatic chops, and he very rarely disappointed me. In fact out of all the films he appeared in only two did I feel he underperformed: ‘Starskey and Hutch’ and ‘Mr. Magourium’s Wonder Empourium’, otherwise he was usually the best thing in everything else. It is my humble opinion that since Bateman appeared in so much stuff in the 2000s that he has to be single handedly the greatest entertainer of that decade. And here’s his 10 best.

  

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1. Arrested Development (2003-2006)

The show that re-invented Bateman’s career. Before this he was just pretty much a forgotten 80s child star best known for ‘Teen Wolf Too’. Bateman played Michael Bluth, the sane one in a zany, once rich, spoiled family, who has to run things now that the father is in prison. Bateman manages to turn what could have been a quite boring role of the straight man, if done in the wrong hands into a whole other dimension. Never have I since Cary Grant in ‘Bringing Up Baby’ seen such an interesting straight man. His puzzled, confused, sometimes frightful expressions is what does it, aswell as his killer zings, and the fact that Michael is just a loveable guy, surrounded by an unloveable whack job of a family, and he just takes it in stride and merely deals with them, even if they do frustrate him alot. One of the highlights of the show is the rapport between him and co-star Will Arnett as his older brother Gob, who he seems to have to help the most, but clearly loves the most (with exception to his own son, George Michael (Michael Cera)). Bateman won a Golden Globe in 2005 for this role, but he, like the show, should have gotten more respect than they got when it was on TV, rather now that it’s off.

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2. Extract (2009)

In this very obscure, little seen comedy, Bateman got his first starring role since ‘Arrested’ as Joel Reynolds, another Michael Bluth, straight man type, who is the boss of an extract plant, whose life is turned upside down after a freak accident horribly injures a co-worker. To add to his problems, when he suspects his wife maybe cheating on him, he takes on the advice of his best friend in stoner Ben Afleck (a scene stealer) and hires a gigolo to flirt with her only to discover she is cheating on him with the gigolo! And a sexy, new worker (Mila Kunis) turns out to be a con artist trying to swindle his business. Written and Directed by Mike Judge (Office Space, King of the Hill), this film had the potential to be another cult classic if it continually followed Bateman and Afleck’s shenanigan’s, but when Afleck disappears in the second half, and Kunis interrupts the movie it slightly misses the mark. One thing that doesn’t however is Bateman, who’s solid from start to end, and if you’re a Bateman fan you really should check it out.

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3. Juno (2007)

In his first for writer, director wunderkind Jason Reitman, Bateman played Mark Loring, seemingly happy husband to Jennifer Garner, who makes silly little jingles for commercials at home that help pay the bills, and appears as happy as Garner is when little Juno (Ellen Page) arrives to give her unborn child up to them. It’s only upon frequent visits from Juno that we realise how Mark really feels about the whole situation, and it doesn’t end happy for him. In anybody else’s hands this could have been done quite wrong, almost paedophilic like, but in Bateman’s subtle hands he turns Mark into a tragic figure who let life slip by him, and fully regrets it and now feels trapped. How could you not feel sorry for the man?

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4. Smokin Aces (2006)

He only appeared for about 3 and a half minutes or so (could have been more) but Bateman’s role as Rip Reed completly stole the show. As a scuzzy, unscrupulous lawyer who holes himself in a hotel room, watches porn in the middle of the day, has some obsession with a rabbit head statue and likes to wear women’s lingerie (as evidenced in the above picture) he hires Ben Afleck, Peter Berg, and Martin Henderson (who he takes an interest in for no apparent reason whatsoever) to capture Buddy ‘Aces’ Israel (Jeremy Piven), is the most complexed and flexed out character in this shoot em up, though quite entertaining action flick. If only he were in it more hmm. Even his end credit title card is a hoot!

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5. Dodgeball (2004)

Another scene stealing appearance, as dim witted, gelled back sports commentator Pepper Brooks, (even the name is funny), he along with straight man Gary Cole, annonce the proceedings going on in the title dodgeball matches, but Brooks, rather than commentating, merely just repeats what he and the audience sees (after protaganist Vince Vaugn as blindfolded himself during the final match, Pepper plainly states back to Cole’s Cotton McKnight that “He won’t be able to see very well Cotton”) No shit. Or adds some dim witted comment along the way like when Cotton makes an allusion to Cinderella, Brooks adds that “He sure does love pumpkins” to a confused Cotton. Good to know. Even his introduction to the film is hilarious, as Cotton is introducing both himself and Brooks, Brooks isn’t looking at the cameras, but at his partner, chewing his never ending gum, and nodding back and forth. Comedy genius if ever I saw one. If sports games were hosted as hilariously as this, I would tune in to a game at every oppurtunity.

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6. Up In The Air (2009)

In his second film for Jason Reitman, Bateman gets the great role of Craig Gregory, boss of a firm that goes around firing people. He’s just the right amount of sleaze, down to his appearance, aswell as cynicism, and while he didn’t get any drama compared to ‘Juno’, when you get to shine over George Clooney and boss him around, who cares.

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7. The Kingdom (2007)

The only reason to watch this otherwise boring film about a group of US Government Agents sent to investigate a bombing in the middle east is for Bateman’s role as Adam Leavitt, the one person out of the group who doesn’t take the mission seriously, ends up getting captured by terrorists and threatened to be beheaded unless his team can rescue him is brilliant. Directed by Peter Berg, who used Bateman again for a much more entertaining film.

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8. Hancock (2008)

Which was this. Now alot of people (and critics) didn’t like this film, and yes it may have gone stupid near the end perhaps, but as usual Bateman was consistant and great the whole way through. Playing a Jimmy Stewart type, Bateman’s Ray decides to take it upon himself to help troubled super hero Hancock (Will Smith) in his usual stride of sarcastic remarks, but there’s a little more depth to him than other characters he’d done before, and finds out a little something bout his wife (Charlize Theron) in the process.

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9. State of Play (2009)

The complete opposite from his role in ‘Hancock’, Dominic Foy has got to be, hands down, Bateman’s darkest role yet. Playing a sleazy, bisexual public relations executive with a few drug problems, he only appears in this otherwise lacklusture film for no more than 10 minutes but has Bateman himself says “goes from a-z in 15 pages”. And who can argue. Appearing all cool and sleazy, hitting on Russell Crowe and Rachel McAdams, to being interrogated in a hotel room to breaking point, to finally being beaten up by Ben Afleck! And that’s his last scene. Afleck may have stolen ‘Extract’ away from Bateman, but the tables turned here and it’s once again Bateman who walks away with an entire film.

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10. The Sweetest Thing (2002)

Okay, it seems wrong to omit ‘Teen Wolf Too’ but put this absolutly atrocious film (which I haven’t actually seen properly) on the list, but this may have been the earliest film in which Bateman became the cool scene stealer he is now. Playing Roger Donahue, best friend to Thomas Jane, he delights in only a handful of scenes, but makes the film (and stopped me from putting ‘Teen Wolf Too’ in) with his hilarious rendition of corny 80s hit ‘Eternal Flame’. Even when I wasn’t aware of who he was, walking in to my Mum and sis watching him sing that at a wedding reception, with his ridiculous beard, singing like he’s William Shatner made me chuckle. The filmmakers realised they had music gold with this by having it be the last song played over the end credits.

And The Worst…

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Starsky & Hutch (2004)

Worse than ‘Teen Wolf Too’ is merely being the way too straight, non reacting sidekick to Vince Vaugn. Which is exactly what Bateman does here as Kevin (you can see from the picture what I mean). When his coolest moment in the film is his title card in the end credits over ‘Sweet Emotion’ you know you’re in trouble. One of the only cases where a film is better than Bateman was!

Aug 23, 20106 notes
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Aug 22, 2010
Why Six Feet Under's Ending is The Best Scene Ever Made!

Warning: Major Spoilers Ahead. If you don’t want to know how ‘Six Feet Under’ ends you shouldn’t read this.

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It was a late school night for me in early February, 2006 on a Tuesday. In a few days I was going to be 15, and more wiser, more smarter (well when it came to entertainment), and still deeply in love with Lauren for the next eight months. I went into my Mom’s room to just hang and have a little stop and chat. She had on TV 1 and playing was ‘Six Feet Under’. I wasn’t really paying attention, but my Mom was as it was the last ever episode, so I briefly watched but wasn’t paying attention, but what I would have seen would have been of a young red haired girl saying goodbye to her family, before driving off. And somewhere round the driving off part I started paying attention, as it became a montage of events set to some sweet little girly song. Mum was oh so happy when her favourite characters ‘The Gay Couple’ as she called em to me (or at least that’s how I remembered it) got married. It was immidiatly after this bit that as the sequence went on I got more interested, while my Mum not so.

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What followed completly took me by suprise: Suddenly instead of seeing happy, cheery people at an outdoor wedding, we saw a dying old woman on her deathbed, surrounded by her family. Mum said ‘Oh no, the Mother’s dying’. I was getting intrigued. Mum was not. After a title card making me realise this is in the future I came to understand the scene better: It’s showing the future deaths of all the main characters.

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After a funeral for the mother, what happened next completly pissed my Mum right off: One of the homosexual men, the African-American cop (I hope I haven’t offended any readers) was unloading some stuff in the back of a pick up truck when he’s horribly gunned down by robbers. This was a major blow to my Mum as this guy was her favourite character on the show. From then on my Mum wasn’t interested, but I was. It was a total switch.

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The next scene was a wedding for a man and a woman, but since I didn’t know the characters yet I didn’t really care bout that, but the rest of the montage was all death, death, death. Unfortunatly because my Mum wasn’t interested anymore she started talking to me about something apparently important, but I didn’t care, I wanted to watch this, but she didn’t care either and I was interrupted from fully finishing the scene due to my Mum’s talking. And that’s how my obsession for the ending of ‘Six Feet Under’ began, and also how I managed to get into a new show by catching it’s ending accidentally.

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In the ensuing months I constantly watched that scene on You Tube over and over, and got aqainted with the show and all the characters and got to understand the scene fully. When I finally got the last season set on October 4th 2006 there wasn’t a day that went by we’re I didn’t watch that scene. I got soo obsessed with that scene that a hobby of mine became writing my own ‘Six Feet Under’ endings we’re I would write down my own future predictions and deaths of my friends. All my close friends of the time like Calvin Logue, Carl Hanson, Rosanna Walsh, to crushes like Lauren Flaherty we’re frequently written in these rather weird and depressing little scripts I’d write just for fun. I only did my friends, not family because I’v always wanted to, but have never been able to remake my own version of it, but never could because of budgets and alot of other things.

Another hobby to do with this scene came with me placing any songs I felt would fit in the montage and playing over the already perfect ‘Breathe Me’ by Sia. That was alot of fun too, and not as weird.

So why was I soo obsessed with this scene so much? Well I think it stemmed from the fact that I’v always been afraid of death. Crippiling so as a child when some bastard in primary told me that heaven doesn’t exit. Seeing this scene for some reason and how beatifully shot, executed, acted it was really changed my tune and I finally accepted that one day I am going to be dead, so instead of fearing it, just enjoy life while you’re still here and it’s gonna happen when it’s gonna happen so just deal with it. Although when I got heavily into the show, I became soo obsessed with death that I was sent to the councellors at school for questioning, and to basically ‘Curb my Enthusiasm’ on it, which I sought of did soon after.

It also inspires me to make wonderful musical montages in my shorts, and ever since this scene I’v been a sucker for montages in film.

The best last episode for a series is most definetly and always will be ‘M*A*S*Hs’ finale, but as far as endings go, this tops it by far. 

Aug 22, 2010
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Aug 21, 2010
Hi Dan!

Hello, who’s this?

Aug 21, 2010
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Aug 20, 2010
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